When I was a lot younger and starting to learn the discipline of shooting, processing and printing film on big 5x4" cameras, most of my fellow students at Art College were inspired by documentary style street photographers.
But I was not.
By then I had seen enough of the street and was more interested in the brine and the bush.
Instead the two monochrome magicians that still inspire me years and a digital revolution later are the Czech Josef Sudek and the American landscape legend Ansel Adams.
Who knows why some aRt resonates with one viewer and not another. Maybe all that time swimming around with a Nikonos or waiting to catch a wave at Granite or Tea Tree nurtured a love of place and the way light skims off country at different times of the day and different seasons of the year.
“It is horrifying that we have to fight our own government to save the environment.”
“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”
“To the complaint, 'There are no people in these photographs,' I respond, There are always two people: the photographer and the viewer.”